http://www.decastellanegallery.com de Castellane Gallery Mon, 31 Jan 2011 01:02:36 +0000 http://www.decastellanegallery.com en http://decastellanegallery.com/Jillian-Maslow-sculptor http://decastellanegallery.com/following/decastellanegallery.com/Jillian-Maslow-sculptor Mon, 31 Jan 2011 01:02:36 +0000 de Castellane Gallery 998059 Jillian Maslow is a New York based artist who uses costume as her artistic medium. Her materials and themes are bold, yet delicate and provocative. Her work was recently on display at the Artivist Film Festival in NYC at Tribeca Cinemas kicking off a global art project and educational photo essay showcasing the powerful impact of individual participation through interactive art that transforms ‘Vestiges of War’ into an expression of Peace. <img src="http://payload.cargocollective.com/1/0/22303/998059/bullet gown.jpg" width="350" height="1046" width_o="350" height_o="1046" src_o="http://payload.cargocollective.com/1/0/22303/998059/bullet gown_o.jpg" data-mid="4795228" border="0" align="left"/> TARGET:PEACE! This beautiful 48Lb garment is constructed of bullets, bullet shells and dog-tags as a symbol of Peace and the cultural impact of violence around the world. <img src="http://payload.cargocollective.com/1/0/22303/998059/Dont fret copy.jpg" width="215" height="640" width_o="215" height_o="640" src_o="http://payload.cargocollective.com/1/0/22303/998059/Dont fret copy_o.jpg" data-mid="4795231" border="0" align="left"/> DON’T FRET This elegant bias styled gown made of 2,351 guitar picks pieced together with small brass rings. http://decastellanegallery.com/Dr-Haresh-Lalvani-sculptor-2 http://decastellanegallery.com/following/decastellanegallery.com/Dr-Haresh-Lalvani-sculptor-2 Wed, 26 Jan 2011 19:42:10 +0000 de Castellane Gallery 972610 Lalvani 2point5D+ Sculptures by Haresh Lalvani Focusing on the artist’s groundbreaking work at the intersection of Art and Science, this exhibition revealed Lalvani’s unique sculptural creations and the original artistic processes derived directly from his quest inspired by Nature’s designs, its generative principles and formal codes. PhD, sculptor, architect, morphologist, visual mathematician, inventor and Pratt Institute professor, Lalvani identifies the principles underlying natural and manmade forms, creating sculpture to reflect how material shapes form and space in a fundamental way. Sculptures from two of the artist's seminal series -Algorhythms and Xurf - were on display. Curated by core.curation, powered by core -formula. <img src="http://payload.cargocollective.com/1/0/22303/972610/HL20.jpg" width="670" height="500" width_o="1296" height_o="968" src_o="http://payload.cargocollective.com/1/0/22303/972610/HL20_o.jpg" data-mid="4717288" border="0" align="left"/> <img src="http://payload.cargocollective.com/1/0/22303/972610/HJ03.jpg" width="670" height="446" width_o="750" height_o="500" src_o="http://payload.cargocollective.com/1/0/22303/972610/HJ03_o.jpg" data-mid="4717302" border="0" align="left"/> <img src="http://payload.cargocollective.com/1/0/22303/972610/HL01.jpg" width="670" height="803" width_o="750" height_o="899" src_o="http://payload.cargocollective.com/1/0/22303/972610/HL01_o.jpg" data-mid="4717400" border="0" align="left"/> <img src="http://payload.cargocollective.com/1/0/22303/972610/HL04.jpg" width="670" height="446" width_o="750" height_o="500" src_o="http://payload.cargocollective.com/1/0/22303/972610/HL04_o.jpg" data-mid="4717429" border="0" align="left"/> <img src="http://payload.cargocollective.com/1/0/22303/972610/HL05.jpg" width="670" height="446" width_o="800" height_o="533" src_o="http://payload.cargocollective.com/1/0/22303/972610/HL05_o.jpg" data-mid="4717433" border="0" align="left"/> <img src="http://payload.cargocollective.com/1/0/22303/972610/HL07.jpg" width="670" height="546" width_o="750" height_o="612" src_o="http://payload.cargocollective.com/1/0/22303/972610/HL07_o.jpg" data-mid="4717467" border="0" align="left"/> <img src="http://payload.cargocollective.com/1/0/22303/972610/HL08.jpg" width="670" height="527" width_o="750" height_o="591" src_o="http://payload.cargocollective.com/1/0/22303/972610/HL08_o.jpg" data-mid="4717459" border="0" align="left"/> <img src="http://payload.cargocollective.com/1/0/22303/972610/HL09.jpg" width="670" height="460" width_o="750" height_o="515" src_o="http://payload.cargocollective.com/1/0/22303/972610/HL09_o.jpg" data-mid="4717462" border="0" align="left"/> <img src="http://payload.cargocollective.com/1/0/22303/972610/HL10.jpg" width="670" height="566" width_o="750" height_o="634" src_o="http://payload.cargocollective.com/1/0/22303/972610/HL10_o.jpg" data-mid="4717501" border="0" align="left"/> <img src="http://payload.cargocollective.com/1/0/22303/972610/HL11.jpg" width="670" height="446" width_o="750" height_o="500" src_o="http://payload.cargocollective.com/1/0/22303/972610/HL11_o.jpg" data-mid="4717502" border="0" align="left"/> <img src="http://payload.cargocollective.com/1/0/22303/972610/HL13.jpg" width="576" height="900" width_o="576" height_o="900" src_o="http://payload.cargocollective.com/1/0/22303/972610/HL13_o.jpg" data-mid="4717535" border="0" align="left"/> <img src="http://payload.cargocollective.com/1/0/22303/972610/HL14.jpg" width="670" height="503" width_o="2048" height_o="1539" src_o="http://payload.cargocollective.com/1/0/22303/972610/HL14_o.jpg" data-mid="4717545" border="0" align="left"/> <img src="http://payload.cargocollective.com/1/0/22303/972610/HL16.jpg" width="670" height="500" width_o="750" height_o="560" src_o="http://payload.cargocollective.com/1/0/22303/972610/HL16_o.jpg" data-mid="4717554" border="0" align="left"/> <img src="http://payload.cargocollective.com/1/0/22303/972610/HL17.jpg" width="670" height="500" width_o="750" height_o="560" src_o="http://payload.cargocollective.com/1/0/22303/972610/HL17_o.jpg" data-mid="4717558" border="0" align="left"/> <img src="http://payload.cargocollective.com/1/0/22303/972610/028.JPG" width="670" height="446" width_o="2048" height_o="1365" src_o="http://payload.cargocollective.com/1/0/22303/972610/028_o.JPG" data-mid="4717596" border="0" align="left"/> Haresh Lalvani (b.1946) Ph.D., sculptor, architect, morphologist, visual mathematician, inventor and a professor at Pratt Institute, has been working for over 30 years to “decode the morphological genome” - essentially, identifying the principles underlying natural and manmade forms. While most of us live in three dimensions (four if you count time), Lalvani lives in a genomic world of several hundred dimensions or more and has dedicated himself to sequencing the morphological genome. The of the twenty-first century represents the genomic era, an understanding that complexities of our world are generated from simple codes - DNA for example. In sequencing the morphological genome and sculpting works derived from such principles, Lalvani stands at the dawn of genomic art as Alberti did at the dawn of perspective painting and Picasso at the dawn of Cubism. The exhibition traces the evolution of Lalvani’s genomic art as filtered through two major series, AlgoRhythms and the Xurf, each exploring Lalvani’s principal concern with the relationship between genetic codes and sculptural creation, and more specifically, between “genomics”–sculpture derived from formal rules, and “epigenomics”–works created through external agents like forces, respectively. The title of the exhibition, 2point5D+ begins to reveal the fundamental creative process of Lalvani's sculpture. All begin with conceptually exploiting and transforming flat (2-dimensional) sheet metal into a 3-dimensional piece. Intrinsic to Lalvani’s creative process is the balance between 2d and 3d concepts at all times, many projected from higher dimensions; the final works are clearly 3-dimensional, yet constant interplay between physical 2d and 3d is central to the genesis of his sculpture. AlgoRhythms The AlgoRhythms series continues the longstanding artistic tradition of exploring the human condition, and in particular, the human relationship with nature, through high technology that brings us closer to nature. Representing a technology for the non-deformational forming of sheet metal using conic surfaces, the works reveal curvilinear forms derived from the same principles that create the flows of nature. Material flows according to morphologic laws that are closer to fluid motion than that of static objects; “AlgoRhythm” seeks to capture the flow, harmony and movement of these sculptures as well as the use of their generative procedures. Generated in higher dimensions using morphogenomics, the AlgoRhythm forms self-adjust according to their movements and are finally brought into metal by innovative laser and water-jet technology. Xurf While the AlgoRhythms series apply pure mathematics to surfaces, Xurf introduces force, thereby adding physics to mathematics. Rather than emerging from predetermined computations, forms emerge from controlled physical encounters, recalling the drop paintings of Jackson Pollock. Pieces become self-shaping and self stabilizing, as they find their own centers of gravity, generating curved surfaces untouched by human hands in most cases. Referencing the morphologist, D’Arcy Thompson, Form follows Force. About the Artist Dr. Haresh Lalvani is a tenured professor of Architecture at Pratt Institute where he has influenced generations of designers, artists and architects. Known worldwide for his morphological, structural, and design innovations, Lalvani holds a Ph.D. in Architecture from the University of Pennsylvania and has worked at NASA-Langley Research Center on space applications and at Computer Graphics Laboratory, NYIT, on computer-animations. He serves on the editorial board of Space Structures, (France), and is the author of two books, Transpolyhedra and Structures on Hyper-Structures. An award recipient from NYSTAR, the Graham Foundation for Advanced Studies in Fine Arts, the National Endowment for the Arts, and the National Institute for Architectural Education, Lalvani received the Pioneers' Award from the Space Structures Research Center, University of Surrey, U.K. in 2002. He was a speaker at TED2004, Monterey, California and will speak at TEDx Brooklyn 2010. From his playful and challenging Metapuzzles to his discovery of Hyper-Geodesic Structures for architecture, Lalvani continues to combine his love of art and mathematics in his search for the architectural genome and his efforts to generate new languages of art and design. Lalvani has had numerous solo exhibitions throughout North America and Europe including Morphogenomics (2004) at the Municipal Arts Society, New York; Aión: An Eventual Architecture (2003), at the first Prague Biennale; and was artist-in-residence (1992-2002) at the Cathedral of St. John the Divine, New York. His group exhibitions have included IAAC Erasing Borders (2009), Aicon, New York and the Queens Museum of Art, New York; Siggraph (2008), Los Angeles; and BreakThroughs (2007), at the Liberty Science Center, New Jersey. His AlgoRhythm columns are in the permanent design collection of The Museum of Modern Art, New York, and were exhibited following their acquisition in 2004 and at the reopening of the Museum the same year. Lalvani continues to sculpt and to further the development of genomic art. He lives in New York City with his wife and son. About Core Formula / Core Curation Launched in February 2008, core.form-ula curates platforms, both physical and virtual, where architects, artists, designers, engineers, scientists, and writers can join in a collaborative space. core.form-ula's goal is to capture cultural content related to design, engineering, science, technology, and art organized into an on-line repository that can be accessed and disseminated quickly for consumption globally. Based in New York with contributors in Tokyo, Hong Kong, London, Rome, and Los Angles, it is a supplement to cultural education unbound by geographical or political alliances that have locked ideas in their respective institutions, and is freed by a series of social networks that allow a higher degree of fluidity. Currently, core.form-ula consists of 5 minor divisions; hard.core (hardware), soft.core (software), core.balance (new models of labor, material production, and sustainability), core.curation (art) and core.awareness (history, interviews, profiles and articles). Content is curated in each division, exposing readers to core cultural information. core.form-ula is co-directed by Ajmal Aqtash and Richard Sarrach. http://decastellanegallery.com/Adrien-Broom-photographer http://decastellanegallery.com/following/decastellanegallery.com/Adrien-Broom-photographer Mon, 24 Jan 2011 18:05:46 +0000 de Castellane Gallery 972772 Adrien Broom's "Blurred Lines" Exhibition was at de Castellane Gallery in March 2011. Adrien is a photographer with an eye for the bizarre and beautiful. Her images often tell stories, exploring conversations and creating worlds that don’t quite exist in the usual way. Broom's cinematic approach to photography through a bizarre and beautiful lens results in illusions that play with reality and make the viewer believe anything is possible. Implying a plot, drama, depth of characters and situation in a single frame, her photographs teeter between reality and fantasy. <img src="http://payload.cargocollective.com/1/0/22303/972772/IMG_9515-Edit-Edit.jpg" width="670" height="446" width_o="720" height_o="480" src_o="http://payload.cargocollective.com/1/0/22303/972772/IMG_9515-Edit-Edit_o.jpg" data-mid="4671786" border="0" align="left"/> Movement (series) <img src="http://payload.cargocollective.com/1/0/22303/972772/712194770_img_1157-edit-edit-edit(2).jpg" width="670" height="432" width_o="1240" height_o="800" src_o="http://payload.cargocollective.com/1/0/22303/972772/712194770_img_1157-edit-edit-edit(2)_o.jpg" data-mid="5789715" border="0" align="left"/> Places (series) <img src="http://payload.cargocollective.com/1/0/22303/972772/arch.jpg" width="670" height="446" width_o="720" height_o="480" src_o="http://payload.cargocollective.com/1/0/22303/972772/arch_o.jpg" data-mid="4672167" border="0" align="left"/> Into The Woods (series) <img src="http://payload.cargocollective.com/1/0/22303/972772/grammatically_incorrect.jpg" width="670" height="485" width_o="1105" height_o="800" src_o="http://payload.cargocollective.com/1/0/22303/972772/grammatically_incorrect_o.jpg" data-mid="5789714" border="0" align="left"/> Frames of Mind (series) <img src="http://payload.cargocollective.com/1/0/22303/972772/IMG_0967-Edit.jpg" width="670" height="446" width_o="843" height_o="562" src_o="http://payload.cargocollective.com/1/0/22303/972772/IMG_0967-Edit_o.jpg" data-mid="4671781" border="0" align="left"/> Movement (series) <img src="http://payload.cargocollective.com/1/0/22303/972772/IMG_1091-Edit-Edit-2.jpg" width="606" height="800" width_o="606" height_o="800" src_o="http://payload.cargocollective.com/1/0/22303/972772/IMG_1091-Edit-Edit-2_o.jpg" data-mid="5789732" border="0" align="left"/> Movement (series) <img src="http://payload.cargocollective.com/1/0/22303/972772/IMG_3748-Edit.jpg" width="670" height="446" width_o="900" height_o="600" src_o="http://payload.cargocollective.com/1/0/22303/972772/IMG_3748-Edit_o.jpg" data-mid="5789742" border="0" align="left"/> Wonder (series) <img src="http://payload.cargocollective.com/1/0/22303/972772/Broom_Adrien_Seriers1_if you dont know where your going any road will get you there_image3.jpg" width="670" height="446" width_o="800" height_o="533" src_o="http://payload.cargocollective.com/1/0/22303/972772/Broom_Adrien_Seriers1_if you dont know where your going any road will get you there_image3_o.jpg" data-mid="4671910" border="0" align="left"/> Wonder (series) <img src="http://payload.cargocollective.com/1/0/22303/972772/IMG_1525-Edit-2.jpg" width="670" height="446" width_o="843" height_o="562" src_o="http://payload.cargocollective.com/1/0/22303/972772/IMG_1525-Edit-2_o.jpg" data-mid="4671784" border="0" align="left"/> Sleep Time With Guests (series) <img src="http://payload.cargocollective.com/1/0/22303/972772/IMG_7995-Edit.jpg" width="670" height="500" width_o="800" height_o="598" src_o="http://payload.cargocollective.com/1/0/22303/972772/IMG_7995-Edit_o.jpg" data-mid="4672153" border="0" align="left"/> The Messenger Time With Guests (series) <img src="http://payload.cargocollective.com/1/0/22303/972772/IMG_7361-Edit-Edit-Edit.jpg" width="670" height="446" width_o="1200" height_o="800" src_o="http://payload.cargocollective.com/1/0/22303/972772/IMG_7361-Edit-Edit-Edit_o.jpg" data-mid="5789709" border="0" align="left"/> The Falconer The Royal Court (series) Prints are available in varies sizes in limited editions. SMALL (16x24): $1700 (Editions of 15) MEDIUM (24x36): $2500 (Editions of 10) LARGE (30x45): $3400 (Editions of 5) X-LARGE (60x40): $5000 (Editions of 2) http://decastellanegallery.com/Ronald-Gehrmann-photographer http://decastellanegallery.com/following/decastellanegallery.com/Ronald-Gehrmann-photographer Mon, 24 Jan 2011 15:48:50 +0000 de Castellane Gallery 725481 New York, NY A lifelong photographer, Ronald began with 35 mm black-and-white film, at age 14 developing and printing his images in a closet darkroom in Frankfurt, Germany. Occasionally he still misses the whiff of chemicals and the glow of the red bulb. “Instead of conjuring art theories, I prefer to keep it simple and talk about what I actually do, which is to pass through my days generally amazed by what I see around me — and to have my camera along for the ride. “I love Zen’s encouragement to stop and pay attention, taking time to explore a subject in depth. It excites me to find that which is otherwise overlooked, to create surprising juxtapositions, to reveal beauty in the ordinary: a smear of graffiti, layers of weathered paint, the unexpected grace of industrial structures.” <img src="http://payload.cargocollective.com/1/0/22303/725481/2009-07-1932.jpg" width="670" height="423" width_o="670" height_o="423" src_o="http://payload.cargocollective.com/1/0/22303/725481/2009-07-1932_o.jpg" data-mid="4670437" border="0" align="left"/> Warehouse With Water Tower 2009 <img src="http://payload.cargocollective.com/1/0/22303/725481/2009-09-3057.jpg" width="670" height="382" width_o="670" height_o="382" src_o="http://payload.cargocollective.com/1/0/22303/725481/2009-09-3057_o.jpg" data-mid="4670425" border="0" align="left"/> Cornices with Barbed Wire 2009 <img src="http://payload.cargocollective.com/1/0/22303/725481/2008-07_4565.jpg" width="670" height="445" width_o="670" height_o="445" src_o="http://payload.cargocollective.com/1/0/22303/725481/2008-07_4565_o.jpg" data-mid="4670427" border="0" align="left"/> Graffiti on Glass 2008 <img src="http://payload.cargocollective.com/1/0/22303/725481/2008-04_1345.jpg" width="670" height="412" width_o="670" height_o="412" src_o="http://payload.cargocollective.com/1/0/22303/725481/2008-04_1345_o.jpg" data-mid="4670428" border="0" align="left"/> Cornices (1891 Building) 2008 <img src="http://payload.cargocollective.com/1/0/22303/725481/2010-12-0395.jpg" width="670" height="404" width_o="670" height_o="404" src_o="http://payload.cargocollective.com/1/0/22303/725481/2010-12-0395_o.jpg" data-mid="4670429" border="0" align="left"/> Do Not Enter Sign 2010 <img src="http://payload.cargocollective.com/1/0/22303/725481/2007-08_7015.jpg" width="670" height="390" width_o="670" height_o="390" src_o="http://payload.cargocollective.com/1/0/22303/725481/2007-08_7015_o.jpg" data-mid="4670431" border="0" align="left"/> Graffiti on Metal 2007 <img src="http://payload.cargocollective.com/1/0/22303/725481/2011-01-1159.jpg" width="670" height="444" width_o="670" height_o="444" src_o="http://payload.cargocollective.com/1/0/22303/725481/2011-01-1159_o.jpg" data-mid="4670435" border="0" align="left"/> Mural 2011 <img src="http://payload.cargocollective.com/1/0/22303/725481/2009-04-0787.jpg" width="670" height="451" width_o="670" height_o="451" src_o="http://payload.cargocollective.com/1/0/22303/725481/2009-04-0787_o.jpg" data-mid="4670442" border="0" align="left"/> Pepsi-Cola Sign 2009 Color photograph, fine art archival prints Available in limited editions of ten, 19" x 13" images. $600 - with white mattes and black frames http://decastellanegallery.com/Carmen-Molina-photographer http://decastellanegallery.com/following/decastellanegallery.com/Carmen-Molina-photographer Sun, 24 Oct 2010 17:04:16 +0000 de Castellane Gallery 726923 NEW YORK, NY "To find a subject is to find a photograph. The subject is my point of departure. I look at the subject carefully and find a story and style that fits it. I see it wrapped in light and color, speaking to me of the scene and stage where it belongs. The subject becomes the character in a movie made from my lifetime recollection of images or from dreams I not always dare to realize. The characters in this series are passionate and graceful and live in a very dark and smoky world in which tragedy is justified by Love. Here, there are no constraints or rules. They are Beethoven’s Ballerinas in Symphony No 5. They dance to its strenuous tunes zealously crying confusion and despair. They are the genesis of Nietzsche's "Dancing Stars", the burning ashes before the rebirth of a truer self." - Carmen Molina <img src="http://payload.cargocollective.com/1/0/22303/726923/Carmen_Molina_01.jpg" width="670" height="670" width_o="800" height_o="800" src_o="http://payload.cargocollective.com/1/0/22303/726923/Carmen_Molina_01_o.jpg" data-mid="3421311" border="0" align="left"/> Hyun - Azul <img src="http://payload.cargocollective.com/1/0/22303/726923/Carmen_Molina_02.jpg" width="670" height="670" width_o="800" height_o="800" src_o="http://payload.cargocollective.com/1/0/22303/726923/Carmen_Molina_02_o.jpg" data-mid="3421313" border="0" align="left"/> Bobby as Simone <img src="http://payload.cargocollective.com/1/0/22303/726923/Carmen_Molina_03.jpg" width="670" height="670" width_o="800" height_o="800" src_o="http://payload.cargocollective.com/1/0/22303/726923/Carmen_Molina_03_o.jpg" data-mid="3421314" border="0" align="left"/> Christina as Eva (no. 3) <img src="http://payload.cargocollective.com/1/0/22303/726923/Carmen_Molina_04.jpg" width="670" height="670" width_o="800" height_o="800" src_o="http://payload.cargocollective.com/1/0/22303/726923/Carmen_Molina_04_o.jpg" data-mid="3421315" border="0" align="left"/> Lindsey as Margot <img src="http://payload.cargocollective.com/1/0/22303/726923/Carmen_Molina_05.jpg" width="670" height="670" width_o="800" height_o="800" src_o="http://payload.cargocollective.com/1/0/22303/726923/Carmen_Molina_05_o.jpg" data-mid="3421318" border="0" align="left"/> Ann Mary as Lola <img src="http://payload.cargocollective.com/1/0/22303/726923/Carmen_Molina_06.jpg" width="670" height="670" width_o="800" height_o="800" src_o="http://payload.cargocollective.com/1/0/22303/726923/Carmen_Molina_06_o.jpg" data-mid="3421320" border="0" align="left"/> Christina - Butterfly <img src="http://payload.cargocollective.com/1/0/22303/726923/Carmen_Molina_07.jpg" width="670" height="670" width_o="800" height_o="800" src_o="http://payload.cargocollective.com/1/0/22303/726923/Carmen_Molina_07_o.jpg" data-mid="3421324" border="0" align="left"/> Lindsey as Margot in a Veil <img src="http://payload.cargocollective.com/1/0/22303/726923/Carmen_Molina_08.jpg" width="670" height="670" width_o="800" height_o="800" src_o="http://payload.cargocollective.com/1/0/22303/726923/Carmen_Molina_08_o.jpg" data-mid="3421325" border="0" align="left"/> Hyun en Rouge <img src="http://payload.cargocollective.com/1/0/22303/726923/Carmen_Molina_09.jpg" width="670" height="670" width_o="800" height_o="800" src_o="http://payload.cargocollective.com/1/0/22303/726923/Carmen_Molina_09_o.jpg" data-mid="3421329" border="0" align="left"/> Hyun - Labios <img src="http://payload.cargocollective.com/1/0/22303/726923/Carmen_Molina_10.jpg" width="670" height="670" width_o="800" height_o="800" src_o="http://payload.cargocollective.com/1/0/22303/726923/Carmen_Molina_10_o.jpg" data-mid="3421330" border="0" align="left"/> Christina as Eva <img src="http://payload.cargocollective.com/1/0/22303/726923/Carmen_Molina_11.jpg" width="670" height="670" width_o="800" height_o="800" src_o="http://payload.cargocollective.com/1/0/22303/726923/Carmen_Molina_11_o.jpg" data-mid="3421332" border="0" align="left"/> Christina as Eva (No. 2) http://decastellanegallery.com/Non-Native-New-York-Show http://decastellanegallery.com/following/decastellanegallery.com/Non-Native-New-York-Show Sat, 26 Jun 2010 18:03:37 +0000 de Castellane Gallery 473603 Linn Edwards and Brian Bell curated Non-Native New York, an art exhibition celebrating the cultural contributions that foreign-born artists are making in Brooklyn, NY. The project served as a platform for under-represented artists to reach a larger audience, and to create a community conversation around the immigrant experience through artwork. The selected artists for the 2010 exhibition were: • Mahtab Aslani • Jaclyn Conley • Francisco Correa-Cordero • Emile H Dubuisson • Yuhi Hasegawa • Hai-Hsin Huang • Jee Hwang • Gautam Kansara • Maria Kondratiev • Olek • Lothar Osterburg • Jung Eun Park • Sarah Nicole Phillips • Minori Sanchiz-Fung • Taganyahu Swao Non-Native New York is organized and curated by Linn Edwards and Brian Bell, artists who have collaborated on art projects for over five years and lived in Brooklyn for a decade. They have been inspired by the many cultures that are Brooklyn’s signature as a borough and by the many artists who have moved here from other lands. Non-Native New York is made possible by a Brooklyn Arts Council 2010 NYSCA Regrant and de Castellane Gallery, and is fiscally sponsored by South Of the Navy Yard Artists, (SONYA) a 501(c)3 non-profit organization. <img src="http://payload.cargocollective.com/1/0/22303/473603/Jaclyn_Conley_02_Heap_In_A_Pile.jpg" width="600" height="482" width_o="600" height_o="482" src_o="http://payload.cargocollective.com/1/0/22303/473603/Jaclyn_Conley_02_Heap_In_A_Pile_o.jpg" data-mid="2180879" border="0" align="left"/> Jaclyn Conley A Heap and A Pile 48 x 60” | Oil on Canvas <img src="http://payload.cargocollective.com/1/0/22303/473603/Jaclyn_Conley_01_Cans.jpg" width="600" height="424" width_o="600" height_o="424" src_o="http://payload.cargocollective.com/1/0/22303/473603/Jaclyn_Conley_01_Cans_o.jpg" data-mid="2180878" border="0" align="left"/> Jaclyn Conley Cans 48" x 68” | Oil on Canvas <img src="http://payload.cargocollective.com/1/0/22303/473603/Jee_Hwang_03_Residue.jpg" width="600" height="479" width_o="600" height_o="479" src_o="http://payload.cargocollective.com/1/0/22303/473603/Jee_Hwang_03_Residue_o.jpg" data-mid="2180886" border="0" align="left"/> Jee Hwang Residue of Memories 48" x 60" | Oil on Canvas <img src="http://payload.cargocollective.com/1/0/22303/473603/Jee_Hwang_04_Inaudible.jpg" width="600" height="374" width_o="600" height_o="374" src_o="http://payload.cargocollective.com/1/0/22303/473603/Jee_Hwang_04_Inaudible_o.jpg" data-mid="2180887" border="0" align="left"/> Jee Hwang Inaudible Shout 29" x 43" | Oil on Canvas <img src="http://payload.cargocollective.com/1/0/22303/473603/Jung_Eun_Park_05_No_More.jpg" width="600" height="450" width_o="600" height_o="450" src_o="http://payload.cargocollective.com/1/0/22303/473603/Jung_Eun_Park_05_No_More_o.jpg" data-mid="2180888" border="0" align="left"/> Jung Eun Park No More Pushing, Please 20" x 15" | Work on Paper <img src="http://payload.cargocollective.com/1/0/22303/473603/Lothar_Osterburg_06_The_World.jpg" width="600" height="759" width_o="600" height_o="759" src_o="http://payload.cargocollective.com/1/0/22303/473603/Lothar_Osterburg_06_The_World_o.jpg" data-mid="2180889" border="0" align="left"/> Lothar Osterburg The World is Round 38.25" x 32" | Photogravure with hand-coloring <img src="http://payload.cargocollective.com/1/0/22303/473603/Mahtab_Aslani_08_pink_Plums.jpg" width="600" height="601" width_o="600" height_o="601" src_o="http://payload.cargocollective.com/1/0/22303/473603/Mahtab_Aslani_08_pink_Plums_o.jpg" data-mid="2180890" border="0" align="left"/> Mahtab Aslani Pink Plums 27" x 27" | oil on Canvas <img src="http://payload.cargocollective.com/1/0/22303/473603/Maria_Kondratiev_09_Look_Behind_You.jpg" width="600" height="904" width_o="600" height_o="904" src_o="http://payload.cargocollective.com/1/0/22303/473603/Maria_Kondratiev_09_Look_Behind_You_o.jpg" data-mid="2180891" border="0" align="left"/> Maria Kondratiev Look Behind You 10" x 15" | Gouache on Paper <img src="http://payload.cargocollective.com/1/0/22303/473603/Maria_Kondratiev_10_Flood.jpg" width="600" height="425" width_o="600" height_o="425" src_o="http://payload.cargocollective.com/1/0/22303/473603/Maria_Kondratiev_10_Flood_o.jpg" data-mid="2180892" border="0" align="left"/> Maria Kandratiev Flood 16" x 20" | Intaglio print with hand color <img src="http://payload.cargocollective.com/1/0/22303/473603/Minori_Sanchiz_Fung_11_Scene.jpg" width="600" height="876" width_o="600" height_o="876" src_o="http://payload.cargocollective.com/1/0/22303/473603/Minori_Sanchiz_Fung_11_Scene_o.jpg" data-mid="2180893" border="0" align="left"/> Minori Sanchiz-Fung Scene without Ending 48 "x 72" | Acrylic on Wood <img src="http://payload.cargocollective.com/1/0/22303/473603/Olek_12_Fairytales.jpg" width="600" height="399" width_o="600" height_o="399" src_o="http://payload.cargocollective.com/1/0/22303/473603/Olek_12_Fairytales_o.jpg" data-mid="2180906" border="0" align="left"/> Olek Fairy Tales Are Not Real 8”x12” | Digital C-Print <img src="http://payload.cargocollective.com/1/0/22303/473603/Sarah_Nicole_Phillips_13_Past_dew.jpg" width="600" height="406" width_o="600" height_o="406" src_o="http://payload.cargocollective.com/1/0/22303/473603/Sarah_Nicole_Phillips_13_Past_dew_o.jpg" data-mid="2180908" border="0" align="left"/> Sarah Nicole Phillips Past Dew 15" x 22" | Collage made with security envelopes <img src="http://payload.cargocollective.com/1/0/22303/473603/Taganyahu_14_The_Freedom.jpg" width="600" height="290" width_o="600" height_o="290" src_o="http://payload.cargocollective.com/1/0/22303/473603/Taganyahu_14_The_Freedom_o.jpg" data-mid="2180909" border="0" align="left"/> Taganyahu Swaby The Freedom of Knowing Lasted for Hours 24" x 48" | Woodcut <img src="http://payload.cargocollective.com/1/0/22303/473603/Yuhi_15_A_Dance.jpg" width="600" height="334" width_o="600" height_o="334" src_o="http://payload.cargocollective.com/1/0/22303/473603/Yuhi_15_A_Dance_o.jpg" data-mid="2180912" border="0" align="left"/> Yuhi Hasegawa A Dance 104" x 59" | Oil on Canvas <img src="http://payload.cargocollective.com/1/0/22303/473603/Yuhi_16_Innocently_Violent.jpg" width="600" height="800" width_o="600" height_o="800" src_o="http://payload.cargocollective.com/1/0/22303/473603/Yuhi_16_Innocently_Violent_o.jpg" data-mid="2180918" border="0" align="left"/> Yuhi Hasegawa Innocently Violent 19" x 24" | Acrylic & sumi ink on paper <img src="http://payload.cargocollective.com/1/0/22303/473603/Yuhi_17_A_Portrait.jpg" width="600" height="695" width_o="600" height_o="695" src_o="http://payload.cargocollective.com/1/0/22303/473603/Yuhi_17_A_Portrait_o.jpg" data-mid="2180920" border="0" align="left"/> Yuhi Hasegawa A Portrait 11" x 14" | Oil on Canvas http://decastellanegallery.com/Tim-Shockley-sculptor http://decastellanegallery.com/following/decastellanegallery.com/Tim-Shockley-sculptor Fri, 28 May 2010 21:24:58 +0000 de Castellane Gallery 435775 California-based Tim Shockley is a modern conceptual artist whose works reflect both a sincere devotion and respect towards his signature material, bronze, as well as the memorializing of time in its fleeting impermanence and perpetual relevance to our lives. Tim’s years of work in a foundry have formed a meticulous craft while his roots, cemented by the sprawling and arid Coachella Valley desert, have provided an endless source of inspiration through the organic elements found within natural spaces. Each new piece or series comes to life through a process combining the creative spark with meticulous forethought, and followed through to the final compilation of material and individual voice, resulting in sculptures, assemblages, and installations whereupon one perceives a glimpse of a fleeting moment in time, forever captured and made monumental through its presence as a work of art. <img src="http://payload.cargocollective.com/1/0/22303/435775/Tim_Shockley_01_oldties.JPG" width="670" height="913" width_o="800" height_o="1091" src_o="http://payload.cargocollective.com/1/0/22303/435775/Tim_Shockley_01_oldties_o.JPG" data-mid="1940660" border="0" align="left"/> Old Ties, 56” h x 41” w x 7” d Lost wax bronze casting of neck ties with patina finish, copper and mahogany frame <img src="http://payload.cargocollective.com/1/0/22303/435775/Tim_Shockley_02_oceanminded.jpg" width="670" height="482" width_o="800" height_o="576" src_o="http://payload.cargocollective.com/1/0/22303/435775/Tim_Shockley_02_oceanminded_o.jpg" data-mid="1940661" border="0" align="left"/> Ocean Minded Chess Set, 22”h x 22”w x 17”d Lost wax cast bronze with patina finish, copper, brass, east Indian rosewood, wenge <img src="http://payload.cargocollective.com/1/0/22303/435775/Tim_Shockley_03_oceanminded_close up.jpg" width="670" height="437" width_o="800" height_o="522" src_o="http://payload.cargocollective.com/1/0/22303/435775/Tim_Shockley_03_oceanminded_close up_o.jpg" data-mid="1940663" border="0" align="left"/> Ocean Minded Chess Set, close up <img src="http://payload.cargocollective.com/1/0/22303/435775/Tim_Shockley_04_trussst.jpg" width="670" height="982" width_o="750" height_o="1100" src_o="http://payload.cargocollective.com/1/0/22303/435775/Tim_Shockley_04_trussst_o.jpg" data-mid="1940664" border="0" align="left"/> Trussst, 18.5” h x 10” w x 10” d Lost wax bronze casting of neck tie and ostrich egg with patina finish, bronze base <img src="http://payload.cargocollective.com/1/0/22303/435775/Tim_Shockley_05_bamboo.jpg" width="670" height="446" width_o="1858" height_o="1239" src_o="http://payload.cargocollective.com/1/0/22303/435775/Tim_Shockley_05_bamboo_o.jpg" data-mid="1940667" border="0" align="left"/> Shell Game - Bamboo, 10” h x 20” w x 13”d Lost wax cast bronze with patina finish, bamboo http://decastellanegallery.com/Roger-Hoit-photographer http://decastellanegallery.com/following/decastellanegallery.com/Roger-Hoit-photographer Fri, 26 Mar 2010 18:47:57 +0000 de Castellane Gallery 250677 NEW YORK / NEW JERSEY "EYES OF AFRICA" On Display through May 31st de Castellane Gallery hosted a fundraiser and artist reception for Roger Hoit on May 7th and raised over $32,000 for AMREF (African Medical and Research Foundation). We also be hosted an event on the 25th which was hosted by Russell Simmons to raise money for Diamond Empowerment Fund, to build schools in Africa. “Emotion – photography for me is all about capturing images that evoke emotion. I am drawn to beautiful faces, to eyes that tell a story.” In Eyes of Africa, Roger Hoit examines these beautiful faces in diverse settings throughout Kenya and Tanzania. From the slums in Nairobi (the Mukuru) to the villages of the Masai Mara to the plains in the Serengeti to the Ngorongoro Crater, beauty takes many forms. Roger was particularly drawn to the children of the Mukuru who serve as the inspiration for this show. “These children seem impossibly happy when you consider the enormously difficult conditions in which they are living”. In addition to raising awareness of their condition, Roger is donating a portion of the proceeds from the sale of each piece from the Eyes of Africa show to AMREF After graduating from Amherst College in 1986, Roger moved to the New York City area where he has lived and worked for 24 years. A businessman by trade, Roger is extremely excited to be sharing his passion for photography with others in NYC for the first time. For more information on Roger’s work, please visit www.rogerhoitphotography.com <img src="http://payload.cargocollective.com/1/0/22303/250677/18 I Dare You_41.jpg" width="425" height="670" width_o="425" height_o="670" src_o="http://payload.cargocollective.com/1/0/22303/250677/18 I Dare You_41_o.jpg" data-mid="1689166" border="0" align="left"/> I Dare You <img src="http://payload.cargocollective.com/1/0/22303/250677/Roger_Hoit_01_Welcome.jpg" width="670" height="446" width_o="1200" height_o="799" src_o="http://payload.cargocollective.com/1/0/22303/250677/Roger_Hoit_01_Welcome_o.jpg" data-mid="1086911" border="0" align="left"/> Welcome <img src="http://payload.cargocollective.com/1/0/22303/250677/Roger_Hoit_02_Beauty_Product.jpg" width="670" height="445" width_o="1200" height_o="798" src_o="http://payload.cargocollective.com/1/0/22303/250677/Roger_Hoit_02_Beauty_Product_o.jpg" data-mid="1086915" border="0" align="left"/> Beauty Shop <img src="http://payload.cargocollective.com/1/0/22303/250677/Roger_Hoit_03_Hospital.jpg" width="670" height="445" width_o="1200" height_o="798" src_o="http://payload.cargocollective.com/1/0/22303/250677/Roger_Hoit_03_Hospital_o.jpg" data-mid="1086926" border="0" align="left"/> Hospital <img src="http://payload.cargocollective.com/1/0/22303/250677/Roger_Hoit_04_Dubai_Shop.jpg" width="670" height="446" width_o="1200" height_o="799" src_o="http://payload.cargocollective.com/1/0/22303/250677/Roger_Hoit_04_Dubai_Shop_o.jpg" data-mid="1086927" border="0" align="left"/> Dubai Shop <img src="http://payload.cargocollective.com/1/0/22303/250677/Roger_Hoit_05_Face.jpg" width="533" height="800" width_o="533" height_o="800" src_o="http://payload.cargocollective.com/1/0/22303/250677/Roger_Hoit_05_Face_o.jpg" data-mid="1086928" border="0" align="left"/> Emuratare <img src="http://payload.cargocollective.com/1/0/22303/250677/Roger_Hoit_06_Hand_Print.jpg" width="670" height="446" width_o="1200" height_o="799" src_o="http://payload.cargocollective.com/1/0/22303/250677/Roger_Hoit_06_Hand_Print_o.jpg" data-mid="1086929" border="0" align="left"/> Ambivalence <img src="http://payload.cargocollective.com/1/0/22303/250677/Roger_Hoit_07_Arch.jpg" width="670" height="446" width_o="1200" height_o="800" src_o="http://payload.cargocollective.com/1/0/22303/250677/Roger_Hoit_07_Arch_o.jpg" data-mid="1086930" border="0" align="left"/> Calvin Klein <img src="http://payload.cargocollective.com/1/0/22303/250677/Roger_Hoit_08_Necklaces.jpg" width="670" height="446" width_o="1200" height_o="800" src_o="http://payload.cargocollective.com/1/0/22303/250677/Roger_Hoit_08_Necklaces_o.jpg" data-mid="1086932" border="0" align="left"/> Jewelry Store <img src="http://payload.cargocollective.com/1/0/22303/250677/Roger_Hoit_09_Elephant.jpg" width="670" height="446" width_o="1200" height_o="799" src_o="http://payload.cargocollective.com/1/0/22303/250677/Roger_Hoit_09_Elephant_o.jpg" data-mid="1086935" border="0" align="left"/> Sheer Bliss <img src="http://payload.cargocollective.com/1/0/22303/250677/Roger_Hoit_11_Zebra_Fight.jpg" width="670" height="446" width_o="1200" height_o="800" src_o="http://payload.cargocollective.com/1/0/22303/250677/Roger_Hoit_11_Zebra_Fight_o.jpg" data-mid="1086937" border="0" align="left"/> Zebra Fight <img src="http://payload.cargocollective.com/1/0/22303/250677/Roger_Hoit_12_Grooming.jpg" width="670" height="446" width_o="1200" height_o="800" src_o="http://payload.cargocollective.com/1/0/22303/250677/Roger_Hoit_12_Grooming_o.jpg" data-mid="1086938" border="0" align="left"/> You Scratch My Back <img src="http://payload.cargocollective.com/1/0/22303/250677/9 The Boys.jpg" width="670" height="536" width_o="670" height_o="536" src_o="http://payload.cargocollective.com/1/0/22303/250677/9 The Boys_o.jpg" data-mid="1688040" border="0" align="left"/> The Boys <img src="http://payload.cargocollective.com/1/0/22303/250677/4 Runaway.jpg" width="670" height="536" width_o="670" height_o="536" src_o="http://payload.cargocollective.com/1/0/22303/250677/4 Runaway_o.jpg" data-mid="1688051" border="0" align="left"/> Runaway <img src="http://payload.cargocollective.com/1/0/22303/250677/10 Candy Store.jpg" width="670" height="536" width_o="670" height_o="536" src_o="http://payload.cargocollective.com/1/0/22303/250677/10 Candy Store_o.jpg" data-mid="1688054" border="0" align="left"/> Candy Store <img src="http://payload.cargocollective.com/1/0/22303/250677/14 Paint Cans.jpg" width="670" height="536" width_o="670" height_o="536" src_o="http://payload.cargocollective.com/1/0/22303/250677/14 Paint Cans_o.jpg" data-mid="1688057" border="0" align="left"/> Paint Cans <img src="http://payload.cargocollective.com/1/0/22303/250677/19 On the Prowl.jpg" width="425" height="670" width_o="425" height_o="670" src_o="http://payload.cargocollective.com/1/0/22303/250677/19 On the Prowl_o.jpg" data-mid="1688059" border="0" align="left"/> On The Prowl <img src="http://payload.cargocollective.com/1/0/22303/250677/22 Siesta.jpg" width="670" height="535" width_o="670" height_o="535" src_o="http://payload.cargocollective.com/1/0/22303/250677/22 Siesta_o.jpg" data-mid="1688061" border="0" align="left"/> Siesta <img src="http://payload.cargocollective.com/1/0/22303/250677/28 Lipstick.jpg" width="670" height="535" width_o="670" height_o="535" src_o="http://payload.cargocollective.com/1/0/22303/250677/28 Lipstick_o.jpg" data-mid="1688066" border="0" align="left"/> Lipstick <img src="http://payload.cargocollective.com/1/0/22303/250677/38 Baby Zebra.jpg" width="670" height="536" width_o="670" height_o="536" src_o="http://payload.cargocollective.com/1/0/22303/250677/38 Baby Zebra_o.jpg" data-mid="1688068" border="0" align="left"/> Baby Zebra <img src="http://payload.cargocollective.com/1/0/22303/250677/7 My Grandmother.jpg" width="554" height="670" width_o="554" height_o="670" src_o="http://payload.cargocollective.com/1/0/22303/250677/7 My Grandmother_o.jpg" data-mid="1688075" border="0" align="left"/> My Grandmother <img src="http://payload.cargocollective.com/1/0/22303/250677/8 Lonely Child.jpg" width="670" height="536" width_o="670" height_o="536" src_o="http://payload.cargocollective.com/1/0/22303/250677/8 Lonely Child_o.jpg" data-mid="1688076" border="0" align="left"/> Lonely Child <img src="http://payload.cargocollective.com/1/0/22303/250677/12 Lollipop.jpg" width="670" height="535" width_o="670" height_o="535" src_o="http://payload.cargocollective.com/1/0/22303/250677/12 Lollipop_o.jpg" data-mid="1688077" border="0" align="left"/> Lollipop <img src="http://payload.cargocollective.com/1/0/22303/250677/13 The Alley.jpg" width="670" height="536" width_o="670" height_o="536" src_o="http://payload.cargocollective.com/1/0/22303/250677/13 The Alley_o.jpg" data-mid="1688078" border="0" align="left"/> The Alley <img src="http://payload.cargocollective.com/1/0/22303/250677/15A Making Fire.jpg" width="670" height="535" width_o="670" height_o="535" src_o="http://payload.cargocollective.com/1/0/22303/250677/15A Making Fire_o.jpg" data-mid="1688079" border="0" align="left"/> Making Fire <img src="http://payload.cargocollective.com/1/0/22303/250677/15B Fire.jpg" width="670" height="535" width_o="670" height_o="535" src_o="http://payload.cargocollective.com/1/0/22303/250677/15B Fire_o.jpg" data-mid="1688081" border="0" align="left"/> Fire <img src="http://payload.cargocollective.com/1/0/22303/250677/20 Three Faces.jpg" width="670" height="536" width_o="670" height_o="536" src_o="http://payload.cargocollective.com/1/0/22303/250677/20 Three Faces_o.jpg" data-mid="1688082" border="0" align="left"/> Three Faces <img src="http://payload.cargocollective.com/1/0/22303/250677/21 Lunch.jpg" width="670" height="536" width_o="670" height_o="536" src_o="http://payload.cargocollective.com/1/0/22303/250677/21 Lunch_o.jpg" data-mid="1688083" border="0" align="left"/> Lunch <img src="http://payload.cargocollective.com/1/0/22303/250677/23 Eyes of Africa.jpg" width="670" height="574" width_o="670" height_o="574" src_o="http://payload.cargocollective.com/1/0/22303/250677/23 Eyes of Africa_o.jpg" data-mid="1688085" border="0" align="left"/> Eyes of Africa <img src="http://payload.cargocollective.com/1/0/22303/250677/24 Best Friends.jpg" width="670" height="536" width_o="670" height_o="536" src_o="http://payload.cargocollective.com/1/0/22303/250677/24 Best Friends_o.jpg" data-mid="1688086" border="0" align="left"/> Best Friends <img src="http://payload.cargocollective.com/1/0/22303/250677/26 Flamingos.jpg" width="670" height="236" width_o="670" height_o="236" src_o="http://payload.cargocollective.com/1/0/22303/250677/26 Flamingos_o.jpg" data-mid="1688088" border="0" align="left"/> Flamingos <img src="http://payload.cargocollective.com/1/0/22303/250677/25 Take Flight.jpg" width="670" height="238" width_o="670" height_o="238" src_o="http://payload.cargocollective.com/1/0/22303/250677/25 Take Flight_o.jpg" data-mid="1688064" border="0" align="left"/> Take Flight <img src="http://payload.cargocollective.com/1/0/22303/250677/27 Tusks.jpg" width="670" height="446" width_o="670" height_o="446" src_o="http://payload.cargocollective.com/1/0/22303/250677/27 Tusks_o.jpg" data-mid="1688089" border="0" align="left"/> Tusks <img src="http://payload.cargocollective.com/1/0/22303/250677/29 Mirror Image.jpg" width="670" height="447" width_o="670" height_o="447" src_o="http://payload.cargocollective.com/1/0/22303/250677/29 Mirror Image_o.jpg" data-mid="1688090" border="0" align="left"/> Mirror Image <img src="http://payload.cargocollective.com/1/0/22303/250677/30 Lines.jpg" width="670" height="446" width_o="670" height_o="446" src_o="http://payload.cargocollective.com/1/0/22303/250677/30 Lines_o.jpg" data-mid="1688091" border="0" align="left"/> Lines <img src="http://payload.cargocollective.com/1/0/22303/250677/32 Sunrise.jpg" width="670" height="446" width_o="670" height_o="446" src_o="http://payload.cargocollective.com/1/0/22303/250677/32 Sunrise_o.jpg" data-mid="1688092" border="0" align="left"/> Sunrise <img src="http://payload.cargocollective.com/1/0/22303/250677/33 It-s Raining Mom.jpg" width="670" height="446" width_o="670" height_o="446" src_o="http://payload.cargocollective.com/1/0/22303/250677/33 It-s Raining Mom_o.jpg" data-mid="1688095" border="0" align="left"/> It's Raining Mom <img src="http://payload.cargocollective.com/1/0/22303/250677/35 The Look.jpg" width="670" height="536" width_o="670" height_o="536" src_o="http://payload.cargocollective.com/1/0/22303/250677/35 The Look_o.jpg" data-mid="1688096" border="0" align="left"/> The Look <img src="http://payload.cargocollective.com/1/0/22303/250677/37 Three Headed Bush.jpg" width="670" height="535" width_o="670" height_o="535" src_o="http://payload.cargocollective.com/1/0/22303/250677/37 Three Headed Bush_o.jpg" data-mid="1688097" border="0" align="left"/> Three Headed Bush <img src="http://payload.cargocollective.com/1/0/22303/250677/39 Stork Sunset.jpg" width="670" height="447" width_o="670" height_o="447" src_o="http://payload.cargocollective.com/1/0/22303/250677/39 Stork Sunset_o.jpg" data-mid="1688098" border="0" align="left"/> Stork Sunset PRICES: smalls $500 / $700 Framed medium $1000 / $1300 Framed large $2500 / $3100 Framed Roger Hoit and Hans de Castellane also collaborated on a piece that is on display in the gallery. Hans decoupaged some of the "Eyes of Africa" photos, painted into the image and created a bold, colorful, edgy portrait of Africa. It is signed by both artists. Cape Cod Series: To view Roger's works from this series, and his other photography please go to his website www.rogerhoitphotography.com All images available as prints through de Castellane Gallery. <img src="http://payload.cargocollective.com/1/0/22303/250677/42 Peaceful Boat.jpg" width="670" height="440" width_o="670" height_o="440" src_o="http://payload.cargocollective.com/1/0/22303/250677/42 Peaceful Boat_o.jpg" data-mid="1688099" border="0" align="left"/> <img src="http://payload.cargocollective.com/1/0/22303/250677/Roger Hoit Cape 1.jpg" width="670" height="447" width_o="670" height_o="447" src_o="http://payload.cargocollective.com/1/0/22303/250677/Roger Hoit Cape 1_o.jpg" data-mid="1694465" border="0" align="left"/> <img src="http://payload.cargocollective.com/1/0/22303/250677/Roger Hoit Cape 2.jpg" width="670" height="446" width_o="670" height_o="446" src_o="http://payload.cargocollective.com/1/0/22303/250677/Roger Hoit Cape 2_o.jpg" data-mid="1694466" border="0" align="left"/> <img src="http://payload.cargocollective.com/1/0/22303/250677/Roger Hoit Cape 4.jpg" width="670" height="446" width_o="670" height_o="446" src_o="http://payload.cargocollective.com/1/0/22303/250677/Roger Hoit Cape 4_o.jpg" data-mid="1694467" border="0" align="left"/> <img src="http://payload.cargocollective.com/1/0/22303/250677/Roger Hoit Cape 3.jpg" width="670" height="492" width_o="670" height_o="492" src_o="http://payload.cargocollective.com/1/0/22303/250677/Roger Hoit Cape 3_o.jpg" data-mid="1694468" border="0" align="left"/> http://decastellanegallery.com/James-Bullough-painter http://decastellanegallery.com/following/decastellanegallery.com/James-Bullough-painter Tue, 02 Feb 2010 23:13:37 +0000 de Castellane Gallery 250717 BALTIMORE, MD “As a child growing up in the suburbs of Washington DC, I remember being enamored with the edgy, urban, “in your face” graffiti art that I saw through the windows of the DC subway.” With no formal training, experimentation became the rule rather than the exception in his work. Abstract fields of deep space began to emerge on scraps of found wood painted with little more than left over remnants of house paint. More recently, he has begun exploring the teachings of the Dutch Masters and painting highly rendered oil paintings of contemporary imagery. In his current body of work he explores the balance between these contrasting elements. Abstract graffiti inspired backgrounds live with color and texture are met with intensely realistic images. Highly rendered portraits float atop layers of ambient space and geometric forms. Contemporary street art techniques and materials collide with those of the realist oil painters he so admires <img src="http://payload.cargocollective.com/1/0/22303/250717/James_Bullough_01_Golden_Lips.JPG" width="670" height="260" width_o="1056" height_o="411" src_o="http://payload.cargocollective.com/1/0/22303/250717/James_Bullough_01_Golden_Lips_o.JPG" data-mid="1086985" border="0" align="left"/> Golden Lips/b> 2008 28"x11" | Oil on Canvas <img src="http://payload.cargocollective.com/1/0/22303/250717/James_Bullough_02_BMX.JPG" width="627" height="501" width_o="627" height_o="501" src_o="http://payload.cargocollective.com/1/0/22303/250717/James_Bullough_02_BMX_o.JPG" data-mid="1086986" border="0" align="left"/> BMX 2008 25"x21" | Oil on Canvas <img src="http://payload.cargocollective.com/1/0/22303/250717/James_Bullough_03_Broken.JPG" width="670" height="210" width_o="766" height_o="241" src_o="http://payload.cargocollective.com/1/0/22303/250717/James_Bullough_03_Broken_o.JPG" data-mid="1086987" border="0" align="left"/> Broken 2008 48"x15" | Oil on Canvas <img src="http://payload.cargocollective.com/1/0/22303/250717/James_Bullough_04_Greenline.JPG" width="670" height="196" width_o="896" height_o="263" src_o="http://payload.cargocollective.com/1/0/22303/250717/James_Bullough_04_Greenline_o.JPG" data-mid="1086988" border="0" align="left"/> Greenline 2008 32"x9.5" | Oil on Canvas <img src="http://payload.cargocollective.com/1/0/22303/250717/James_Bullough_05_Greenville.JPG" width="670" height="217" width_o="793" height_o="258" src_o="http://payload.cargocollective.com/1/0/22303/250717/James_Bullough_05_Greenville_o.JPG" data-mid="1086993" border="0" align="left"/> Greenville 2008 40"x13" | Oil on Canvas <img src="http://payload.cargocollective.com/1/0/22303/250717/James_Bullough_06_Mask.JPG" width="471" height="593" width_o="471" height_o="593" src_o="http://payload.cargocollective.com/1/0/22303/250717/James_Bullough_06_Mask_o.JPG" data-mid="1086994" border="0" align="left"/> Mask 2008 16"x20" | Oil on Canvas http://decastellanegallery.com/Michael-Tharp-painter http://decastellanegallery.com/following/decastellanegallery.com/Michael-Tharp-painter Tue, 02 Feb 2010 23:13:35 +0000 de Castellane Gallery 250710 NEW YORK, NY Michael Tharp's Website <img src="http://payload.cargocollective.com/1/0/22303/250710/Michael_Tharp_01_100lbs.jpg" width="300" height="335" width_o="300" height_o="335" src_o="http://payload.cargocollective.com/1/0/22303/250710/Michael_Tharp_01_100lbs_o.jpg" data-mid="2062332" border="0" align="left"/> 100 lbs. 2008 50"x55" | Oil on Wood Transport Pallette $8,000 <img src="http://payload.cargocollective.com/1/0/22303/250710/Michael_Tharp_02_Tokyoliscious.jpg" width="300" height="356" width_o="300" height_o="356" src_o="http://payload.cargocollective.com/1/0/22303/250710/Michael_Tharp_02_Tokyoliscious_o.jpg" data-mid="2062334" border="0" align="left"/> Tokyoliscious 2008 48"x40" | Oil on Wood Transport Pallette $7,000 <img src="http://payload.cargocollective.com/1/0/22303/250710/Michael_Tharp_03_Astrobaby.jpg" width="300" height="368" width_o="300" height_o="368" src_o="http://payload.cargocollective.com/1/0/22303/250710/Michael_Tharp_03_Astrobaby_o.jpg" data-mid="2062335" border="0" align="left"/> Astrobaby 2008 40"x40" | Oil on Wood Transport Pallette $5,000 <img src="http://payload.cargocollective.com/1/0/22303/250710/Michael_Tharp_04_Raid.jpg" width="291" height="300" width_o="291" height_o="300" src_o="http://payload.cargocollective.com/1/0/22303/250710/Michael_Tharp_04_Raid_o.jpg" data-mid="2062336" border="0" align="left"/> Raid 2008 40"x40" | Oil on Wood Transport Pallette $5,000 <img src="http://payload.cargocollective.com/1/0/22303/250710/Michael_Tharp_05_Dakar.jpg" width="300" height="384" width_o="300" height_o="384" src_o="http://payload.cargocollective.com/1/0/22303/250710/Michael_Tharp_05_Dakar_o.jpg" data-mid="2062337" border="0" align="left"/> Dakar 2008 40"x48" | Oil on Wood Transport Pallette $5,000 <img src="http://payload.cargocollective.com/1/0/22303/250710/Michael_Tharp_06_Horatio.jpg" width="300" height="334" width_o="300" height_o="334" src_o="http://payload.cargocollective.com/1/0/22303/250710/Michael_Tharp_06_Horatio_o.jpg" data-mid="2134379" border="0" align="left"/> Horatio 2007 40" x 48" | Oil on Wood Transport Pallette $5,000 <img src="http://payload.cargocollective.com/1/0/22303/250710/Michael_Tharp_07_Midnight_Run.jpg" width="300" height="414" width_o="300" height_o="414" src_o="http://payload.cargocollective.com/1/0/22303/250710/Michael_Tharp_07_Midnight_Run_o.jpg" data-mid="2134382" border="0" align="left"/> Midnight Run 2008 48" x 72" | Oil on Wood Transport Pallette $12,000